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Correspondent: LUEL Michel

director Nicolas Bedos
Writers Nicolas Bedos
Tomatometers 7,7 / 10 Star
Description Victor, a disillusioned sexagenarian, sees his life turned upside down on the day when Antoine, a brilliant entrepreneur, offers him a new kind of attraction: mixing theatrical artifices and historical reconstruction, this company offers his clients a chance to dive back into the era of their choice. Victor then chose to relive the most memorable week of his life: the one where, 40 years earlier, he met the great love
Fanny Ardant, Doria Tillier

WWWWWWonderful. ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️) ͡👁️ ͜ʖ ͡👁️.

The spring of 2020 is off to a good start with this critically acclaimed movie by a (as of this date) relatively unknown director.

It tells the story of a marriage in crisis, a wife who is not content with her husband and decides to separate. The husband on the other hand is bored with life looks for some kind of change. This is a reasonable plot on its own, reminiscent of classics such as Fritz Lang's Woman in Red, or Ingmar Bergman's Scenes from a Marriage - but the director then gives it a twist and plays with the idea of the husband diving back into their happy days in a clever way, and it provides a lot or witty humour, as well as some somber reflective moments.

The performances are truly amazing from all of the cast, the stars and supporting cast alike - and you get a little bit of an American Beauty-feeling, partly credited to the perfect mix of satire and snappy dialogue, but also due to the fact that this is a realistic and bitter look into the everyday lives of people who wants to leave their gray surroundings and make something of their lives.

It truly is a masterpiece, and I am lookint forward to seeing more from this director.

I like this Evie clothe´s. Very pretty. A big one at the disco's back then 😁. Watch Full Nuostabi epoch.

Other than IMDB dating this film to 1992 (there is a Spanish film of the same name from that year) I have no issues really.
Charmingly acted by Auteuil and Ardant, it is a pleasant and amusing, if somewhat elaborate, fantasy about re-discovering a youthful love. Crimped hair and '70s dancing, I feel old. Hang on, the '70s were 40 years ago.

Watch Full Nuostabi epoch times. This very especial to my. i remember the best yers in my life lobos. I'm so confused. Je regarde sa pour la période du quoronaviruse🖥📽🙂. Watch Full Nuostabi epoca. Thank you for this. Nos anos 70 eles já queriam aparecer!😂. Watch Full Nuostabi epocrates. Manuela Micu @micu_manuela Follow 54 42 21 68 88 37 78 27 26 56 34 22 24 25 49 38 40. Hit ! Very intersting. Très bon. Victor and Marianne are in their early seventies. While Marianne refuses to grow up Victor struggles to adapt to a modern world full of gadgets and the virtual reality of the internet. A present from his son - a successful media businessman turns his life upside down as he is allowed to relive the best days of his youth.
Once again a romantic comedy where the protagonist tries another chance with his past. However this time around the premise does not include literal time travel or rewriting of history. If TRUMAN SHOW was a romantic comedy you'd get LA BELLE EPOQUE. It is also refreshing to see French acting royalty Daniel Auteuil and Fanny Ardant in the main roles. Sparks fly when they are together on screen and it is realistic, exciting and intense. The script is extremely clever, well paced and filled with hilarious situations.
Sometimes everything comes together in a film - the music, the acting, the direction, all supporting an original story that digs deep but makes perfect sense. Perfectly funny, spot on dialogue, memorable characters - it's all there. A feel good, but an intelligent film - I didn't want it to end.

Reviewed 3 weeks ago We were blown away by our meal at Sofitel's La Belle Epoque theme restaurant within T5 at London Heathrow on our overnight last weekend. Had never really had time to try it on many prior layovers, but this time we did, and so glad we... More Date of visit: March 2020 Helpful? 2 Reviewed 3 weeks ago via mobile Found myself in this restaurant on a Saturday night before a Sunday flight. Despite sitting on my own, I didn't feel out of place. Excellent service from all members of staff. The food was beautiful, central London restaurant quality without a central London price. Can't... More Date of visit: March 2020 Helpful? 2 Reviewed 4 weeks ago via mobile We had the tasting menu before a trip to New York and it was such a wonderful experience! We went for the accompanied wine pairing which was a lovely! The whole experience was brilliant and the service was very good and knowledgeable about the dishes! Date of visit: February 2020 Helpful? 2 Reviewed 4 weeks ago The staff is friendly and offer a great service for a enjoyable dining experience. Located in Sofitel Heathrow at terminal 5 with easy access. Perfect ambience and highly recommended! More Date of visit: March 2020 Helpful? 3 Dear LauraS, Thank you very much for your wonderful review. I'm so pleased you enjoyed your evening with us and your dining experience due to good quality food and friendly service. I look forward to welcome you back at La Belle Époque Best regards, Jocelyn... More Reviewed 4 weeks ago via mobile Fantastic as always. Came here few years back and didn’t expect much as it’s a hotel next to the airport but they have proven me wrong. The food was delicious and the staff were well trained (even better than the hotel staff), I would travel... More Date of visit: March 2020 Helpful? 4 Dear The Service Critic, Thank you so much for your wonderful review. I'm so pleased know that you had an excellent dining experience yet again at La Belle Époque. The tasting menu has some beautifully presented dishes with full of flavours, a wonderful opportunity to... More Reviewed 5 weeks ago via mobile We stayed at the Sofitel Heathrow Terminal 5 and decided to eat at the “La Belle Époque” I booked via Bookatable and got the six course taster menu for £59 each and we decided to also having the wine pairing menu at £39 each This... More Date of visit: March 2020 Helpful? 2 Dear KEVIN_CCROXFORD, Thank you very much for taking the time to leave your review, and I'm so pleased that you enjoyed your evening with us. The tasting menu does make for a fantastic and indulgent journey, so I'm very pleased that you enjoyed it along... More Reviewed 3 March 2020 via mobile Wonderful food at Sofitel T5 in house top end restaurant. great quality food and service. full a la carte and taster menu available. best airport hotel restaurant I have visited. More Date of visit: March 2020 Helpful? 3 Dear THE TRAVELLER, Firstly I am glad to hear that you choose to stay with Sofitel London Heathrow. It is really nice to know that your enjoyed your dining experience due to good food and service. It is our constant endeavour to provide a memorable... More Reviewed 2 March 2020 We hadn't booked and were asked to wait in the bar for 15 minutes, not a problem.... We were soon called and shown to our table, being informed that the 15 minute wait was so the chef can concentrate on the food and not have... More Date of visit: February 2020 Helpful? 3 Dear RichardF38, Thank you very much for taking the time to write a wonderful review. I'm so pleased you enjoyed your evening with us and your dining experience was truly memorable due to excellent food - in particular the torched mackerel and the hake... More Reviewed 2 March 2020 Always look forward to booking into Heathrow and La Belle Epoque. The food and service is excellent, the staff change over the years but that does not alter anything, but for the loss of a friendly face. More Date of visit: February 2020 Helpful? 3 Dear wardy-gb, Thank you very much for your wonderful review. It was a pleasure to see you back. It was really nice to hear that dining at La Belle Époque was a good start to your holidays. It was a joy to read and learn... More Reviewed 2 March 2020 Not expecting to be in the UK for Valentine's Day (change of business commitments), I admit the venue was a last minute choice but I had heard good reports and we are always keen to try somewhere new. I am delighted to report the quality... More Date of visit: February 2020 Helpful? 3 Dear MSR20, First of all many thanks for taking the time to share your recent dining experience with us. I was pleased to read that you found our food superb. It was equally exciting to read that you found our service professional and attentive. Once... More View more reviews.

Okay, wait. Is the first song the one they use in the trailers for Masterclass. Soko <3. Watch Full Nuostabi época. C'est une merveille cette album, je l'écoute sans cesse, audiomachine est un excellent remède pour décompresser et s'évader. Dolores <3. Oh! Now it's clear who Joy (Austrian music group) stole this song from. O_o.

This version is very nice. The one I like the most is Cerrones

As it now stands, virtual reality technology is clunky and unconvincing, offering little more than the illusion of interactivity. Someday, VR will make good on its potential, but until then, French writer-director Nicolas Bedos has conceived something better: a service whereby wealthy clients can pay a high-end reenactment troupe to stage a carefully orchestrated and totally convincing visit to a previous time of their choosing. Want to spend an evening as Marie Antoinette? Or pretend that you’re drinking buddies with Ernest Hemingway? In “La Belle Époque, ” Bedos invents a way for that to happen — like “Westworld, ” with actors in place of robots — with the ulterior motive that such a service might offer real-world audiences a uniquely satisfying emotional experience if we were to follow the right kind of character. And that it does: Where so many high-concept romantic comedies squander their one big idea, “La Belle Époque” leverages its own to remind how and why we fall in love in the first place, making Bedos’ film that once-in-a-blue-moon French offering that could, in the hands of the right distributor, score a popular success with American audiences. Building on the appeal of his well-liked debut, “Mr. & Mrs. Adelman, ” the actor turned auteur imagines a customer ( Daniel Auteuil) who, when given the chance, chooses not to become someone else, but to relive his most significant moment — the day he met his wife ( Fanny Ardant) in a rowdy Lyon café — which he can, courtesy of a script that’s as ambitiously imagined as a Charlie Kaufman movie. Since each of these meticulously detailed re-creations amounts to an elaborate theatrical production, “La Belle Époque” also serves as a rich homage to the pleasures of performance. After all, a god-like director must work tirelessly behind the scenes, adapting on the fly and whispering cues in his actors’ ears to make the fantasy complete. (By complete coincidence, a variation on this concept can be found in Werner Herzog’s Japanese rent-a-relative satire “Family Romance, LLC, ” which premiered two days earlier in Cannes. ) In the end, the story’s custom reenactment gimmick may not even have been necessary, so well-written and executed is the personal journey that underlies it. Credit that also to Auteuil, a versatile thinking man’s actor who can handle everything from broad comedies to Michael Haneke’s “Caché. ” Here, Auteuil plays Victor, a crotchety cartoonist, now in his 60s, who’s convinced that his best days are behind him. Victor abhors the modern world, with its talking cars and coffee enemas. He could do without such innovations, and would be far happier listening to records in the comfort of his own misanthropy … er, living room. While Victor sounds like something of a stereotype on paper, that isn’t the case on screen, since Bedos’ script makes each of its characters wonderfully specific variations on a personality easily recognized from the real world. That’s especially true of his wife, Marianne, which is actually a trickier role in many respects, and one that makes excellent use of Ardant, who capitalizes on a certain meta idea: For those who fell in love with the actress in the ’80s, her character represents the assertive, sharp-tongued woman that earlier bombshell might have become. When arguments erupt between Victor and his wife, her insults are biting enough to make Armando Iannucci blush. And when she finally kicks him out, the stage is set for Victor to revisit that café, at a time when, in his words, “it wasn’t horrible being me. ” Now, this is where “La Belle Époque” essentially works its magic. There’s nothing supernatural about Bedos’ concept: Victor doesn’t knock his head and start to believe he’s a teenager again, nor is he fooled by the artifice, the way Jim Carrey’s character was in “The Truman Show. ” Everything here depends on a willing suspension of disbelief — that fundamental contract of all good film and theater: To revisit May 16, 1974, Victor must ignore that he’s stepping onto a soundstage with lights hanging from trusses overhead — as bursts of nondiegetic music nudge how he’s meant to feel — and where, if he studies any of the surfaces too closely, he’s liable to find that the wallpaper is peeling. The reason we go along with the conceit has to do with a second set of characters who are every bit as important to “La Belle Époque”: There’s the all-controlling metteur en scène, Antoine (actor-director Guillaume Canet), and his leading lady, Margot (Doria Tillier), with whom he’s having a volatile affair, presently on pause. The #MeToo movement has brought much attention and criticism to the way artistic inspiration can be problematically intertwined with — and sometimes inseparable from — off-screen relationships, and it can be icky, but instructive to watch how the narcissistic Antoine uses Victor’s reenactment to manipulate his muse. But the women in “La Belle Époque” have minds of their own, and Margot can be every bit as vicious as Marianne in cutting her ex down to size — which, of course, makes her ideal casting to play the 45-years-earlier version of Victor’s wife in the café where he was first smitten by her independence. All the threads of Bedos’ vision come together in Tillier’s big scene, based on that moment when Victor and Marianne met, as she multi-tasks between the assignment at hand — channeling the fiery independence of Victor’s dream girl — and using that attitude to put Antoine in his place. It’s a brilliant piece of writing, staging and performance, where every third line seems to be directed at her director, who’s watching everything from behind a one-way mirror. Though the goal may have been to remind Victor how much in awe he was of Marianne from the beginning, Margot gives such a good performance that Victor starts to develop feelings for the actress, which complicates the film’s relationships in unpredictable ways. (Antoine amusingly scrambles to create additional layers of illusion to convince Victor that Margot isn’t as amazing out of character. ) Meanwhile, as an added joke, another participant piggybacks off Victor’s reenactment to sit down with his late father, night after night, and have the conversation they never could in real life — a nice touch that shows how this service might help others as well. Until such time that such bespoke re-creations can be ordered in real life, “La Belle Époque” eloquently illustrates how movies offer a vicarious version of the same catharses: By watching others fall in love for the first time, we’re able to relive our own faded memories of how that felt and, ideally, to put our own past into perspective.

Maman d'un enfant autiste, pour avoir vécu certaines situation du film, c'est un film incroyable, un jeu d'acteurs époustouflant, un film criant de vérités. Cela me donne envie de me battre encore plus pour mon fils.

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